A Local Quilt Show

Each year, since 1985, one of the churches in our town has held a quilt show as part of their Country Fair.  I have been invited to exhibit a quilt or two there each of the past several years.  The quilt show is held right in the main body of the church with the quilts hung from the ceiling, displayed on racks and display walls and draped carefully over the pews.

I'd like to share a few photos with you of this year's show.

Here's a general shot. Those first two quilts hanging closest to the camera attracted a lot of attention. My "Little Green Kiwi", one of my round robin quilts is in the front right. In the rear distance, on the middle left, is Echinacea Echoes - a very beautiful quilt owned by me but made by my sister for me for a birthday gift.

Another general shot. The quilt hanging in the front center is "Spool Quilt" by Betty Ratliff. Betty created her quilt using the pattern "Friendship + Strips + Scraps" by Edyta Sitar for Laundry Basket Quilts. Sadly, I cannot identify the lovely red and white quilt in the front right.

I really love this quilt titled "Lancaster Amish" by Gayle Ropp. Her quilt is machine pieced and hand quilted.

I wear a hat to church each Sunday so this quilt, "A Few of Nana's Hats" by Beverly Burroughs, attracted me. Beverly made this quilt in the stack and whack method using a pattern by Sandy Gervais and comments it reminds her of her Grandmother who had a hat to go with every outfit and took a lot of joy in getting dressed up.

A general shot of the right hand side of the exhibition. Yes, that is my Strawberries and Cream in the foreground with, three rows behind it, my Purple Passion.

Oh my gosh, this pair of quilts was amazing. Created by the very talented Cheryl See and based on a favorite childhood portrait this one "Wolf" (above) depicts her Dad.

And this is one "Ceci" depicting her Dad's wife.

The organizing committee for the 2013 Sacred Threads Exhibition created their own personal artist statements under the subject of "Transitions".  This quilt, "Empty Nest" is by Lisa Ellis and was made just after her youngest daughter graduated from high school and was preparing to head off to college.

Another general shot. The quilt hanging in the front right "Glorified Christmas" is by my friend Cheryl Kotecki and features the block "The Right Hand of Friendship" which was one of the blocks in the Barbara Brackman Civil War block of the week online project in 2011 that we both did.

Paula Golden created her quilt "Song of St Lucas" for an exhibit titled "Tales of a Mayan Huipil:ArtQuilts Inspired by Guatemalan Weavings". I enjoyed the color combinations.

Sarah Entsminger (the show curator) created her quilt "Lord, Hear my Prayer" for a person who cannot walk a labyrinth but who wishes to join in the spiritual meditation gained from such an experience. The "pavers" are wool and you are gently kept on the path by the pebbles which are individually attached with thread.

Taking the main focus of the show by being displayed behind the altar is this exhibition "Identity Crisis" by Fiber Artists @ Loose Ends. Each of the eleven members created a quilt focusing on their personal identity.

Here we see displayed quilts from the last two chapters of "The June Bride", a challenge I created for 13 friends which ran from 2011 to 2013. These are quilts from the "Baskets for the Bridesmaids" and "The Bride's Wedding Day Album" chapters. Each member received a vintage quilt block from me and was requested to make a new piece using that block. In the front left foreground is a poster board showing the two vintage blocks that were handed out. The first three pew backs show 11 of the Bridesmaids Basket quilts.

The rear pew and the two hanging rows show 10 quilts from the "Bride's Wedding Day Album" quilts.

And one last shot. Hanging on the left side is "Road to Pushkar" by Carole Nicholas. The center hanging quilt is "Party All Day" by Margaret "Totty" Powers Sos.

The photos shown are taken in an amateur way by me and tend to be of quilts that attracted me. There were many more very lovely quilts in the show this year and had I spent more careful time with my camera and less time gabbing I might have been able to show you more.

 But I hope you have enjoyed this brief glimpse of the show.

Month 10 - Shooting Stars

We are at Month 10 in the Dixie Diary project.  Our heroine Sarah Morgan and her sisters feel they have a ringside seat to the Bombardment of Fort Hudson, on the Mississippi River.

 Although making the block was easy enough (I did it using my own method of creating a long strip of the two colors pieced together and then cutting out four triangles - I meant to photograph it as I went but - oops - I forgot) I'm not sure how interesting the finished result is. My own small challenge is not to repeat any fabrics other than the one pink on white toile which is used in each block. My greys are running perilously low and I might have to, for shame, visit the fabric store again and see if I can't source another couple of grey fabrics for the remaining two blocks.

March 14, 1863, Linwood, East Feliciana Parish

"They are coming! The Yankees are coming at last! For four or five hours the sound of their cannon has assailed our ears. There! - that one shook my bed! Oh, they are coming! God grant us the victory! They are now within four miles of us, on the big road to Baton Rouge. …

[Sarah is mistaken here---what she was hearing was Confederate cannon firing at the Union ships, and some answering fire from the ships.]

 

 

"It has come at last! What an awful sound! I thought I had heard a bombardment before; but Baton Rouge was child's play compared to this. ….We have all been in Mrs. Carter's room, from the last window of which we can see the incessant flash of the guns and the great shooting stars of flame, which must be the hot shot of the enemy. There is a burning house in the distance, the second one we have seen to-night....Gathered in a knot within and without the window, we six women up here watched in the faint starlight the flashes from the guns, and silently wondered which of our friends were lying stiff and dead….

March 15

To my unspeakable surprise, I waked up this morning and found myself alive."

 

I have copy and pasted the above directly from the entry made by Ms Brackman on her Civil War Blog to give you an idea of what was going on.  I just love Sarah's last sentence!

 

With those images in my head I had been pondering all weekend how to pose my block for my usual "fun photo".  Just before I lost the light for the day I remembered this quilt that I had made perhaps 15 years ago for a guild challenge (we had to use that pansy fabric and illustrate "Seasons"). I love to piece star blocks and this was my quilt for the challenge.

The grey fabric showing here as the backdrop is one I have purchased to use for the setting of this quilt top. I'll combine it with another fabric from the same line (Moda's Basic Grey collection) but that is all I'm going to say at this point in time.

Two more blocks to come for this project. That will mean I have 12 6" blocks so my current plan is to create four more which will give me a four by four setting...which will NOT result in a king sized quilt!

Hooray for that.

Grandmother's Choice - a Finished Top

Oh my, I was beginning to wonder if I would ever get to the end of this. And, truth to tell, it is not done yet - the top is assembled but I have a few turned seams to fix before it goes to the longarm quilter. At a finished size of 98" x 98" this is a perfect candidate for a longarm machine!

 For the setting I started out months ago with the concept to frame each 8" block in a 1" border of either green or purple thinking I would then just join them as is. But before I got all the blocks made I knew I was not happy with that concept. So sashing would be needed. I wanted to have white be a significant component of my quilt as the New Zealand suffragist colors were green, white and purple. Many times when photos of suffragist marches appeared on the Grandmother's Choice blog the women all wore white dresses and, for that reason, I chose a white dot fabric to represent the white dotted muslin gowns.

Decision making was not yet done however as corner stones would be needed. Should they be green or purple? A compromise was needed and I started with a band of pale purple followed by a band of green, then repeated both bands. My friend Rhonda came to stay when I was in the midst of trying to lay out the blocks and she was a grand help with that. Thanks Rhonda!  She is no doubt glad she did not have to be a part of all the other agonizing that came after that.

For my center block I chose block 15. That week was the one week the story focused on New Zealand with a block titled "Centennial - New Zealand's Victory". In 1993 Queen Elizabeth II created the New Zealand Suffrage Centennial Medal - it hangs from a ribbon of golden yellow bordered by white then finished in purple and I departed slightly from my color scheme to recognize that in my block. Then, to make it special as the focus block, I gave it a different 1" frame.

 Another block near and dear to me was the Seven Pointed Star for Australia, block 29. Having also lived in Australia I wanted to make this representative of that sunburnt country and this more yellowy green fabric seemed like a good choice. What was not so good was having to blend it in with the other greens.

Moving right along, I had purchased the white dotted fabric for the sashes on a whim - I happened to be in the quilt shop on the day it came in and the store owner predicted it would be sold out in a week. Well, she was right. Not knowing how much I would need I asked for 2 yards - let me tell you, I cut those sashing strips with great trepidation as two yards was exactly what I needed and there is only a sliver of maybe an inch left.

And now, what was I going to do about a border? Another friend suggested I go with an inner narrow border of green or purple followed by an outer border repeating the white. I set to and cut a big number of 2" x 1" rectangles to piece that inner border. Although I really do prefer to buy directly from a quilt shop when I had visited all the local stores (at least five) and no-one had more of that white dot I had to purchase three yards online for the outer border. Washed and pressed, it waited patiently while the blocks were all assembled in their neat rows.

I had the top draped over the ironing board and was all set to cut the borders until...I turned and looked and said out loud "nope, that white border will just not do it!" Another new plan needed. The size was now so large that an unpieced border would have been very bland to my eye so I decided to piece it in a number of green fabrics. Some of the chosen ones were used in the blocks and some of the border greens had never actually been cut into for this project. Each one was patiently selected to play nicely with the block it was next to.

Still looking to do something a little more detailed, I fussy cut corners for both the purple inner border and the green outer border. Maybe the secret name for this quilt will be The Fussy Cut Fiend!

My plan for this quilt is to sew white buttons in the center of each of the cornerstones once the quilting has been completed - the buttons will come from my mother's button jar and thus will be the appropriate finishing touch. Thank you to my sister, Kayelle Kiwi, for both parting with the treasures from the jar that has lived with her since our mother passed away in 1997 and mailing them to me.

A name for this quilt will be needed and usually I have settled on a name before a quilt is even half done. This one I am still mulling over - currently I am favoring "Kate Sheppard Had Friends" to honor Kate who was a leader in the NZ suffrage movement.

And it is fitting that I finished my top in September which marks 120 years since women in New Zealand made history when the bill supporting Women's Suffrage was passed on September 19, 1893. The day is known as White Camellia Day named after supporters of votes for women who wore a white camellia. Alas, I could not find a white camellia print fabric but the stylised flowers in the four corners will vaguely recall that aspect.

The entire project has been a great one to be a part of. It has been so much fun working along knowing many others worldwide are doing the same. The history stories, so well researched by Ms Brackman, became a vital part of my Saturday for 49 weeks. The self imposed rush to finish my block and get it posted on the flickr site by the end of Sunday? Suffice to say, that will not be missed.

Thanks for following along with me. What happens next?

It's Taking a While

for me to get my Grandmother's Choice top assembled. Things keep getting in the way.

In a week or so my son is going to an Animee convention and he wants to go in character (costume). And he wants to make the costumes himself.  A few weekends ago we spent an afternoon visiting the Op Shops (opportunity/secondhand/charity - call them what you will) for clothing items to use as the base for his costumes. Then we needed to go buy some more supplies at the fabric and craft stores.

I set him up with my spare sewing machine on the dining room table and he has been carefully stitching away. Now keep in mind there is no pattern to work with and I have not even seen a picture of what he is trying to create. However, I have been patiently (I hope) trying to guide him along to achieve the look he is after.

 Here is an action shot of attaching a red trim to the neckline of a white tee shirt. Last night saw the hem updated with red and only after it was on did I suddenly realize that we had not pre-washed that red knit fabric. Today, before we got any further I did the pre-wash and thankfully, no red running dye. So for tonight's activity, the neckline got the red treatment.

One of the stops we made in sourcing costume making supplies was the plumbing aisle at Home Depot. After several times of asking "can I help you" the HD employee cleared off leaving us to giggle about what he would have said had we told him the real truth about our "plumbing problem".

That dark blue fabric still on the bolt has yet to be converted into a hooded cape. I did keep suggesting we buy a pattern for that but I was firmly told "no". So I eagerly wait to see how that item is going to turn out!

In the meantime I am diligently stitching away getting my blocks together into a top. That's three yards of white fabric for the borders and three yards of chartreuse fabric (in the wide backing width) for the backing. Alas, this project, despite my best intentions to keep the size under control, has turned into a 98" x 98" (projected) finished size.

Just remind me next time that smaller is better!

Month 9 - The Hands of Strangers

What with Grandmother's Choice finishing some weeks back I had to give myself a refresher course in how to add my block photo to the flickr site on the Civil War blog. After a couple of false starts, I believe I had success.

For month 9 our Sarah is agonizing over the thought of strangers, and even worse, Union strangers, living in her beloved home and touching her things.

 I too agonized, ever so slightly, with this block. As shown on the Civil War blog, Ms Brackman divided only the center square meaning to symbolize the break in the Morgan family life. Since we already know Sarah never does return to her home I decided to "break" my block entirely in two. Somehow it seems more pleasing to my eye this way.

And you know I can't resist having a little fun with staging my block for a photo shoot. It's a hot day and I hesitated to go outside and accost strangers to photograph their hands. Instead I had a little scissor therapy session after tracing some hands. And if I don't tell you who they belong to, why, they become the hands of strangers don't they! And they all want to get their hand onto my block.

Alright, enough fun, I need to get back to my sashing sewing for Grandmother's choice.

Serendipity and Inspiration

You're likely wondering if I have turned off my sewing machine and thrown the dust cover over it as I have not posted in some weeks.  The answer is, no, I am still stitching away as I work towards getting all my Grandmother's Choice blocks set together.

A few weeks ago I discovered that a friend has just completed a small oil painting of the lavender fields in Provence. As you know I have been in a green and purple mood for a year or so and when I saw the painting I thought she must have painted it specially for me! Of course, she did not, but I decided I would buy it as I loved it. Serendipity you see.

I will need to find a better frame for the painting but I popped it into this frame I already had so I could photograph it with some of my Grandmother's Choice blocks.

Aside from the obvious attraction of the colors a lavender bush has a particular poignant memory for me. My Grandmother, who moved houses several times in her older years, loved lavender and always planted a bush in the garden of her latest house. In her memory I have been doing the same thing. At 5pm it is really still too bright for a good photo of some of my lavender but I hoped this scene might make up for fewer quilt photos!

But the way the colors in Begona's painting went so well with my quilt made me think of what fun it would be to make a quilt inspired by some of my other paintings. Sadly, unless I can find a load of extra time, I don't see that idea coming to fruition any time soon! But it is sure a lovely concept to think about. What inspires you to start a quilt?

 This day started off quite cool and I did not get my morning walk in until much later than usual. But that cool start translated into a beautiful day and I decided I could sit outside on the deck and get some more of the binding done on this quilt while I had my afternoon cup of tea.

A small group I'm in make quilts to give to wounded military men and women and this is one almost ready to donate.

Okay, I better get back to cutting my sashing cornerstones. There will be another break from the green, purple and white tomorrow as, it being the first Saturday of the month, a new Dixie Diary block will be posted and that needs me to be in the pink and grey mood.

Month 8 Confederate Silver

The first Saturday of the month calls for a new block in the Dixie Diary series. For this month's diary entry Sarah is discussing the poor quality of household items to be found in Confederate homes now that war has been under way for so many months. Confederate silver means, not silver, but rather old and beat up tin items, confederate flour means cornmeal, confederate bridles are fashioned from rope. Our heroine found it difficult to adjust to such deprivations.

Given the title of the block this month and my chosen color scheme I thought briefly of making my block from all silver colored fabrics. But then I thought I better stick with my practice so far of using both pink and grey in each block.

I had a little fun with setting up my photo. With the silver chest empty of all but a few mismatched items and all the good quilts gone this was as much as could be found in the fictitious Confederate home.

With my blocks being 6" I am still not inclined to cover up the centers with the suggested applique of a heart or star preferring instead to draw on the fussy cutting skills developed in the Grandmother's Choice project.

Four more blocks to go in this series. It is as well both projects do not finish at the same time. I have had a cascade of finish dates just now what with a "secret" project (can't be talked about/seen as it may be included in a book) due for delivery yesterday, my two year international round robin due as a finished top by August 18, the last block of Grandmother's Choice which means what's needed next is the assembly of the top and then this little block which came out Saturday.

So much for a long lazy summertime!